Contemplative Paintings

I develop a painting practice that functions as a field of perception rather than an image.

Through layered processes, surfaces emerge in a state of instability where light and color operate through depth. Forms appear at the threshold of visibility, in a balance between emergence and dissolution.

The horizon is not treated as a motif, but as a tension that structures space and engages the viewer.

Each painting becomes an autonomous experience, where time and material generate a shifting perception.